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Blackmagic URSA Broadcast Camera

Blackmagic URSA Broadcast Camera

MODEL: CINEURSAMWC4K

SGD $ 7,099.00
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Blackmagic URSA Broadcast Camera

Blackmagic URSA Broadcast CameraBlackmagic URSA Broadcast CameraBlackmagic URSA Broadcast Camera

URSA Broadcast is an advanced Ultra HD broadcast camera that works with your existing HD or Ultra HD B4 lenses so you can shoot HD today and switch to Ultra HD when you’re ready! You get professional broadcast controls, built in ND filters, non stop 12‑bit recording of ProRes and DNx files to dual SD UHS‑IIor CFast cards, and new extended video range for stunning broadcast ready shots that can go straight to air. URSA Broadcast is two cameras in one. Use it for production work or add a Blackmagic URSA Studio Viewfinder to turn it into a live studio camera with remote control and built in color corrector!


The world’s most affordable and flexible professional broadcast camera for HD and Ultra HD!

URSA Broadcast

Introducing URSA Broadcast, the world’s most affordable and most flexible professional broadcast camera. URSA Broadcast is two cameras in one, an incredible field camera for ENG and programming work, as well as a professional studio camera! URSA Broadcast is perfect for traditional broadcasters because it uses the lenses and batteries you already own, and it also eliminates weird media cards and file formats found on traditional cameras. It records onto regular SD cards and uses the same common file formats found on broadcast media management systems and most NLE software. Plus URSA Broadcast is perfect for web broadcasters because it works with both older after market HD lenses and inexpensive photo lenses. No other broadcast camera is more flexible and more affordable!

URSA Broadcast


URSA Broadcast

Two Cameras in One

Switch instantly between live work or field shooting!

URSA Broadcast is two cameras in one! The compact design, familiar controls and broadcast camera features are ideal for ENG style shooting and vital for working quickly when you’re trying to capture breaking news. Whether you’re in the studio or out in the field, URSA Broadcast will give you incredible image quality, accurate skin tones and vibrant colors that are far superior to cameras costing ten times more. The key is URSA Broadcast's new extended video mode that produces pictures you don’t need to color grade so you can shoot, edit and get stories on air faster than ever before. URSA Broadcast is also the first camera that finally lets AV and web broadcasters afford a true professional broadcast solution that’s dramatically better than DSLRs!

URSA Broadcast


URSA Broadcast

Standard Media and File Formats

Work faster by eliminating expensive media and video transcodes!

URSA Broadcast is the first professional broadcast camera designed to work with standard media cards and file formats that are compatible with virtually all broadcast systems and editing software. URSA Broadcast records onto inexpensive standard SD cards, UHS-II cards and CFast cards, and records 1080i or 2160p video into standard .mov files, with .mxf to be added in future updates. URSA Broadcast records using DNx145, DNx220X or ProRes so the files will work with your existing broadcast systems and workflows. You also get a B4 lens mount that works with your existing lenses, or you can swap it for optional EF, F and PL lens mounts so you can use standard photographic lenses. If you’re building a complete broadcast camera chain, the optional URSA Viewfinder, URSA Studio Viewfinder and SMPTE fiber converters feature familiar controls and design, so they operate exactly as experienced camera operators expect. URSA Broadcast helps you get the most value out of your investment in cameras, lenses and accessories, which means you’ll save time and money, so the camera virtually pays for itself!


URSA Broadcast

Broadcast B4 Lens Mount

Use your existing high quality HD lenses or new Ultra HD lenses!

The broadcast B4 lens mount on URSA Broadcast features high performance cinema quality optics with spherical aberration correction specifically designed to match the camera’s sensor. The ⅔” mount lets you use existing HD lenses or Ultra HD lenses. Many high quality HD lenses can be used at resolutions well beyond HD, all the way up to 2.5K or 3K. Because B4 lenses are par-focal and have a very wide depth of field, the image stays in focus as you zoom in and out, so you don't need to chase focus as you shoot. That lets you work much faster because you don’t need to change lenses or refocus between close up, medium and wide shots, which is perfect when you’re following the action in fast paced sport! You also get full electronic B4 lens control so you can adjust the focus, iris and zoom using the camera’s controls, or remotely from an ATEM switcher using the SDI camera control protocol.


URSA Broadcast

Work in HD or Ultra HD

Incredible 4K image sensor for wide dynamic range and wide depth of field

URSA Broadcast features an incredible 4K image sensor and a new extended video mode with better dynamic range and color fidelity. The image sensor is designed for both HD and Ultra HD so you get amazing texture and detail, accurate skin tones, vibrant color and high dynamic range video, all without the need for post production. That means you can shoot, edit and get stories on air fast! The high resolution sensor is a huge advantage, even when working in HD, because you get sub pixel image processing and superior anti-aliasing for super sharp images. URSA Broadcast is a future proof camera that’s versatile enough to use on any HD or Ultra HD production!


URSA Broadcast

Non Stop Recording

Works with both standard CFast and SD card media!

Memory Cards

Choose the media that works best for you!

SD and UHS‑II cards are inexpensive and commonly available, perfect for recordingDNx or ProRes Ultra HD files or RAW HD files. CFast cards are ideal for recording RAW.


Broadcast Quality Audio

Built in broadcast quality sound recording

URSA Broadcast has a high quality microphone and professional audio recorder built in so you don’t have to carry any extra sound equipment! The built in stereo microphone can be used for recording or you can connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shotgun to wireless clip on mics. With two microphone inputs, you can record a reporter in the field wearing a lapel or handheld mic, while also capturing ambient sounds from the second input. You can also record the same microphone to both channels using different levels to avoid clipping from unexpected loud noises in the field. URSA Broadcast also features external knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder mounted.

URSA Broadcast

Professional Studio Camera

Transform URSA Broadcast into the ultimate studio camera!

URSA Broadcast has built in remote control, color correction, talkback, tally and other features designed to make it the ultimate studio camera for live switched production. It can be remote controlled via SDI using the Blackmagic SDI Camera Control protocol. You can add the optional URSA Studio Viewfinder, Blackmagic Camera Fiber Converter and Studio Fiber Converter to get the exact same workflow and features of studio cameras costing hundreds of thousands of dollars. But best of all, when the live production is complete, you can quickly transform URSA Broadcast back into a normal shooting camera! URSA Broadcast lets you get the most out of your investment in cameras and lenses because you can use it every day out in the field or in the studio! That’s the ultimate in flexibility because every URSA Broadcast camera you own can be used on live programs, allowing you to easily handle very large live jobs with lots of cameras, all without any extra equipment rental costs!


Professional Connections

Eliminate custom cables with standard television industry connectionsthat work with regular cables

Blackmagic URSA Broadcast features the latest technology and connections such as 12G-SDI. All connections use standard broadcast connectors so you don't need expensive, proprietary cables that are hard to find. This means you can get cables from your favorite supplier or even make your own! You get multi rate12G-SDI connections for video output and return program feed input. Both connections automatically switch speed so they work with all HD and Ultra HD formats up to 2160p60 over a single cable! You also get HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, and timecode/reference input. On the front right side of the camera is a 12 pin Hirose connector for broadcast lens control which can both power and control SD, HD and Ultra HD lenses with both analog and digital control. There’s also a 4 pin XLR 12V DC power output and HD-SDI monitor output that can be used with an URSA Viewfinder, URSA Studio Viewfinder, any viewfinder or external monitor you’d like.

URSA Broadcast


URSA Broadcast

Works with Low Cost Lenses

Compatible with B4, PL, EF and F mount lenses!

URSA Broadcast features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL or even F mount. That means if you’re just starting out you can use low cost, high quality EF photographic lenses and then change to more expensive lenses when you’re ready. Using an EF, PL or F mount lens is a fantastic option when permanently rigging and mounting cameras in locked off positions on set, so you don't tie up broadcast lenses for camera positions without operators. Because the lens mounts are easy to change, you can also quickly reconfigure cameras from job to job. URSA Broadcast comes with a B4 mount already installed, and you can also purchase optional PL, EF and F mounts separately as needed. With URSA Broadcast, you get a single camera that works with virtually all professional lenses so you can choose precisely the lens you need!


URSA Broadcast

Flexible Power

Compatible with industry standard batteries and power

URSA Broadcast includes a 4-pin XLR industry standard power connector that works from 12V to 20V for external power supplies and battery packs. The standard power connector also means it’s easy to use the camera with all of your existing power supplies and batteries. All URSA cameras use the same battery power connector and mounting points on the rear of the camera so you can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. For ease of installation, you can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries, because they include a power plug that's designed to plug directly into URSA Broadcast.

Camera Features

Effective Sensor Size

2/3 inch sensor size when using 4K B4 mount (Actual sensor size 13.056mm x 7.344mm)

Lens Mount

B4 2/3 inch

Lens Control

Electronic control via 12‑pin broadcast connector. Control also possible vEF mia ount pins when using optional URSA Mini Pro EF Mount.

Dynamic Range

12 Stops+

Shooting Resolutions

3840x2160, 1920x1080

Frame Rates

Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. 
Off‑speed frame rates up to 60p.

Built in ND Filters

Four position ND filter wheel with clear, 2‑stop, 4‑stop and 6‑stop ND filters.

Focus

Focus button turns on peaking, auto focus available using compatible lenses with focus servo.

Iris Control

Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.

Screen Dimensions

4 inch.

Screen Type

LCD capacitive touchscreen.

Metadata Support

Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.

Controls

Touchscreen menus on 4 inch screen. 
Push buttons for other controls. 
2 assignable shortcut keys.

Timecode Clock

Highly accurate timecode clock. Less than 1 frame drift every 8 hours.

Connections

Total Video Inputs

1 x SDI

Total Video Outputs

1 x SDI, 1 x SDI Monitoring.

SDI Rates

1.5G, 3G, 6G, 12G.

Analog Audio Inputs

2 x XLR switchable between mic, line and AES digital audio. Phantom power support.

Analog Audio Outputs

1 x 3.5mm headphone jack, supports iPhone microphone for talkback.

Reference Inputs

Tri-Sync/Black Burst/Timecode.

Remote Control

2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.

Computer Interface

USB Type‑C for software updates.

Blackmagic URSA Broadcast

Audio

Microphone

Integrated stereo microphone.

Built in Speaker

1 x mono speaker.

Standards

SD Video Standards

None

HD Video Standards

1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, Interlaced output via SDI 1080i50, 1080i59.94, 1080i60

Ultra HD Video Standards

2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60

SDI Compliance

SMPTE 292M, SMPTE 424 Level B, SMPTE 2081‑1, SMPTE 2082‑1

SDI Audio Sampling

48 kHz and 24 bit

Media

Media

2 x CFast for 4K RAW and ProRes recording. 2 x SD UHS‑II card slots for HD and Ultra HD recording.

Media Format

Can format cards to ExFAT for Windows and Mac or HFS+ for Mac (file systems).

Supported Codecs

Codecs

DNxHD 220X, DNxHD 145, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime, CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1.

Control

External Control

Blackmagic SDI Control Protocol, iPad control via Bluetooth, 2 x 2.5mm LANC for lens and record control.

Color Corrector

Color Corrector

DaVinci YRGB.

Talkback and Tally

Talkback

SDI Channels 15/16 and iPhone headset.

Live Tally Indicator

Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.

Storage Features

Storage Type

2 x CFast 2.0

2 x SD UHS‑II cards

2.5 inch SSD via optional URSA Mini SSD Recorder

Storage Rates

3840 x 2160
Apple ProRes 444 XQ - 250 MB/sApple ProRes 444 - 165 MB/sApple ProRes 422 HQ - 110 MB/sApple ProRes 422 - 73.6 MB/sApple ProRes 422 LT - 51 MB/sApple ProRes Proxy - 22.4 MB/s 
1920 x 1080
Apple ProRes 444 XQ - 62.5 MB/sApple ProRes 444 - 41.25 MB/sApple ProRes 422 HQ - 27.5 MB/sApple ProRes 422 - 18.4 MB/sApple ProRes 422 LT - 12.75 MB/sApple ProRes Proxy - 5.6 MB/s
DNxHD 220X - 27.5 MB/s
DNxHD 145 -18.2 MB/sStorage rates based on 30 frames per second.

Recording Formats

DNxHD 1920x1080 and 1920x1080i with either film, video or extended video dynamic range. Apple ProRes 3840x2160 and 1920x1080 with either film, video or extended video dynamic range. Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 3840x2160.

Software

Software Included

URSA Mini Operating System.

Blackmagic Camera Setup.

Operating Systems

Mac icon

Mac 10.11 El Capitan, 

Mac 10.12 Sierra, 

Mac 10.13 High Sierra or later.

 
Windows Icon

Windows 8.1 or Windows 10.
 

Power Requirements

Power Supply

1 x External 12V power supply.

External Power Input

1 x 4‑pin XLR port for external power or battery use.

1 x 12‑pin Molex connector on rear battery plate.

Power

Rear camera mount compatible with industry standard V‑mount or gold mount battery plates.

Accessories

Optional Accessories

Blackmagic URSA Viewfinder

Blackmagic URSA Studio Viewfinder

Blackmagic Shoulder Mount Kit

Blackmagic Camera Fiber Converter

Blackmagic Studio Fiber Converter

Interchangeable Lens Mount for EF, PL or F mount lenses

Blackmagic URSA Mini Mic Mount

Blackmagic URSA Mini SSD Recorder

Blackmagic URSA VLock Battery Plate

Blackmagic URSA Gold Battery Plate

Physical Specifications

Blackmagic URSA Broadcast

 

Environmental Specifications

Operating Temperature

0° to 40°C (32° to 104°F)

Storage Temperature

-20° to 45°C (-4° to 113°F)

Relative Humidity

0% to 90% non‑condensing

What's Included

URSA Broadcast body

Turret dust cap

B4 lens mount

Power supply

SD card with software and manual

Warranty

12 Month Limited Manufacturer's Warranty.